Weekend box office for August 9 - 11, 2013: Elysium and Millers soar past Planes and Percy Jackson

 

Elysium was #1 with a $30.4 million opening, slightly lower than the $37 million opening of director Neill Blomkamp's sleeper hit District 9. D9's final gross more than tripled its $30 million budget; Elysium's higher budget, less positive reviews and increased competition will make profitability harder to achieve. We're the Millers may be the week's biggest success, taking in $26.5 million during the weekend and $38 million since its Wednesday release. It likely would have been first with a standard Friday release. Planes' $22 million is unremarkable. At least it had a modest $50 million budget and was smartly released after this year's family and blockbuster-stuffed June and July. The mediocre opening likely won't affect the July 2014 release of its sequel Planes: Fire and Rescue. Since Wednesday, Percy Jackson: Sea of Monsters has made $23.4 million, less than the previous PJ's $31 million 3-day opening ($40 million when including President's Day). Like those behind Red 2 and Smurfs 2, the studio may have wrongly assumed audience demand for a sequel.

In a World got a decent $71,000 with 3 screens. Lovelace had a much larger limited release and made $184,000 but had a mediocre per-screen average of about $1,500. The Spectacular Now and Blue Jasmine expanded and kept high screen averages of $14,000 and $21,000. 2 Guns had a big drop, but wasn't over-budgeted and should beat Wahlberg's Pain & Gain in a couple of days. In America, Wolverine is likely to fall short of First Class by over $10 million. Next weekend, I expect The Butler to lead Kick-Ass 2, Jobs and Paranoia in another weekend packed with major releases. See how other films performed here.

Weekend box office estimates for August 9 - 11, 2013:

1) Elysium; $30,400,000; opening weekend

2) We're the Millers; $26,555,000; $38,044,000 total; opening weekend

3) Planes; $22,525,000; opening weekend

4) Percy Jackson: Sea of Monsters; $14,600,000; opening weekend

5) 2 Guns; $11,128,000; $48,517,000 total; -58.9%; 2nd weekend

6) The Smurfs 2; $9,500,000; $46,600,000 total; -45.9%; 2nd weekend

7) The Wolverine; $8,000,000; $111,986,000 total; -62.5%; 3rd weekend

8) The Conjuring; $6,700,000; $120,745,000 total; -48.6%; 4th weekend

9) Despicable Me 2; $5,748,000; $338,314,000 total; -43.3%; 6th weekend

10) Grown Ups 2; $3,700,000; $123,800,000 total; -53.4%; 5th weekend

Review: Elysium

Release date: August 9, 2013
Running time: 109 minutes
Starring: Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga, Diego Luna
Who to see it with: Someone who wants more exoskeleton combat

David: 

Elysium takes place in 2154 Earth, where the wealthy have left the overcrowded and polluted planet to settle on a Utopian space station called Elysium. One of the wonders of the station are medical pods that can instantly cure any disease. Max (Damon) is a resident of Earth and goes to great lengths to get access to these stations. The story of Elysium starts off wonderfully, with great pains taken to establish an oppressive upper class treating the people of Earth terribly. You see the plight of the planet's people and the stark contrast between what Elysium offers and what Earth provides. Unfortunately, although so much time is spent establishing this world, there is little time spent in explaining why they have this inequality. Sure, there is the initial line that the rich abandoned Earth, but there is little explanation given to why they refuse to give any assistance. Additionally, other aspects of the station are left a mystery, like why Jodie Foster's accent is so terrible and why the residents occasionally slip into French.

Elysium's plot essentially has three acts: the introduction, the journey to Elysium, and the events on the station. Unfortunately, this last third of the movie goes overboard with an over the top plot and an antagonist whose character takes a somewhat absurd turn, even for a sci-fi space movie with wonder healing stations. Elysium does a lot of things right. The setting is presented well and executed perfectly, especially the overcrowded and dilapidated Los Angeles. The sci-fi tech is interesting with a nice mix of futuristic technology and gritty, less advanced but equally impressive hydraulic exoskeletons. And the sound is definitely a highlight of the film, with a building musical score in the action sequences and some well placed silences (and loud Inception style booms) during dramatic parts. However, Elysium counteracts these great aspects with a final act that is ridiculous and unfulfilling. Unfortunately, Elysium shoots for the moon but doesn't quite make it. 

Rent it.

Lee:

The setting and divided population present interesting ideas, but in an unclear manner. I guess you can simply assume that Elysium represents a futuristic, larger-scale version of white flight out of declining cities into the suburbs, and that it's unfeasible to share their wondrous medical stations with the poor who appear to need it much more. Or maybe the wealthy don't care to share because they feel that healthcare is a luxury, or they're purposely leaving Earth in squalor and indebted to them. Director Blomkamp cared less about the reasoning than presenting an exaggerated depiction of current societal issues. However, his previous film, District 9, offered a more satisfying narrative.

The chaotic third act would be fine if the antagonist's plans and motives were better explained, but things suddenly become really messy in a way that seems to have no logical endgame. Like Foster's accent, that of William Fichtner's Elysium executive is also a bit odd. Perhaps the upper class purposely chose to adopt highbrow speech patterns, in addition to their occasional lapses into French. The story is a little too reliant on flashbacks to poignant childhood moments to easily get an emotional reaction. Elysium's utopian habitat seems to have made the government complacent because their security is lacking. A good hacker could wreak havoc on the computer-run world, and it's far too easy for powerful Elysians to run amok. Elysium has a great setting and interesting themes, but I wish it had a tighter conclusion.

Rent it.

Trailer: Matt Damon vs. Jodie Foster in Elysium, Blomkamp's follow-up to District 9

In the distant future, the wealthy reside on Elysium, a beautiful, space station-based metropolis, while everyone else remains on a dilapidated Earth. Diagnosed with a terminal illness whose cure lies at the orbiting city, Earth resident Max (Matt Damon) accepts a dangerous mission that puts him in the line of fire of an anti-immigration Elysium politician (Jodie Foster). Like District 9, director Neill Blomkamp's previous film, Elysium explores political themes and makes good use of a modest budget ($90 million here compared to District's $30 million). Elysium also stars District lead Sharlto Copley, Alice Braga, William Fichtner and Diego Luna. It launches into theaters on August 9, 2013.