What to Watch This Weekend: January 10, 2020

In Theaters: Just Mercy

Just Mercy is an inspiring, timely, and sadly appropriate movie for our times.  It has Oscar-worthy acting, amazing cinematography, and tells an important story that that doesn't leave a heart untouched or an eye dry at its conclusion.  For more information, check out our review!

At Redbox: Joker

Joker is a dark and disturbing tale about one man's descent into madness and rebirth as an iconic villain.  It is not going to be for everyone, but this brilliant, unpredictable, and uncomfortable film should not be missed.  For more information, check out our review!

Streaming (Starz): Family

I saw this film on a plane because I had literally seen everything else.  I expected t his to be terrible but laughed harder than I had in a long time.  The film has a fantastic dry sense of humor and a great message.  Make sure to check out this hidden gem!  

Streaming (Amazon): The Kid

Combine two of my favorite actors (Dane DeHaan and Ethan Hawke) in a western bio-drama and you already have my interest.  Make it about one of the most famous outlaws in history and I'm sure it will please many movie fans!  

Weekend box office for September 13 - 15, 2013: James Wan scares audiences again with Insidious

Insidious: Chapter 2's estimated $41.1 million opening was the weekend's highest, in addition to being the second-highest September opening following Hotel Transylvania's $42.5 million opening. It's slightly less than the $41.9 million start of director James Wan's last film, The Conjuring. The two horror films have given Wan the unusual distinction of becoming the second director to have two $40 million+ debuts within a year (the Wachowskis beat him with the Matrix sequels), and he's sure to add a third with the July 2014 release of Fast & Furious 7. IC2 easily beat the first film's $13 million opening and will pass its $54 million total, but it likely won't have the legs of Wan's last two hits. It already looks more frontloaded than Conjuring, which grossed millions less on its opening day yet finished slightly higher.

The Family opened second with a decent $14.5 million. Riddick dropped 63% but was budgeted accordingly and should meet expectations. The Butler passed $100 million and We're the Millers continues remaining right behind it. The other August openers--Planes, Percy Jackson: Sea of Monsters and especially Elysium--weren't so successful here but have respectable worldwide numbers of $138.8, $164.6 and $232.4 million. Monsters U will soon beat Up's $731 million and, worldwide, become Pixar's third most successful film. See how other movies performed here.

Weekend box office estimates for September 13 - 15, 2013:
(rank, title, weekend gross, percent change, total gross, weekend #)

1. Insidious: Chapter 2; $41,050,000; opening weekend

2. The Family (2013); $14,500,000; opening weekend

3. Riddick; $7,013,000; -63.1%; $31,280,000 total; 2nd weekend

4. Lee Daniels' The Butler; $5,582,000; -33.6%; $100,041,000 total; 5th weekend

5. We're the Millers; $5,415,000; -29.6%; $131,602,000 total; 6th weekend

6. Instructions Not Included; $4,250,000; -47.8%; $26,581,000 total; 3rd weekend

7. Planes; $3,066,000; -25.6%; $82,984,000 total; 6th weekend

8. One Direction: This is Us; $2,400,000; -40.7%; $26,887,000 total; 3rd weekend

9. Elysium; $2,050,000; -34.7%; $88,388,000 total; 6th weekend

10. Percy Jackson: Sea of Monsters; $1,825,000; -24.8%; $62,035,000 total; 6th weekend

Review: The Family

Release date: September 13, 2013
Running time: 110 minutes
Starring: Robert De Niro, Michelle Pfeiffer, Dianna Agron, John D'Leo, Tommy Lee Jones
Who to see it with: Someone who wants a little more comedy in their mafia movies

David:

The Family follows an ex-mafia family after they move to a French town under witness protection. They are told to fit into the culture and not draw attention.  The Blakes initially attempts to, but struggle with both the repercussions of their old lives and the contrast between French and American culture. Each member of the have their various quirks and issues, but the main struggle is with Fred Blake (De Niro) trying to stay under the radar, but still holding onto some parts of his old life. He has a wicked temper (although he only takes it out on people that "deserve" it) and struggles with staying discreet and not letting others know who he is and what he's done. During much of the movie, he has an urge to tell people who he is, which obviously causes problems.

The best thing about this movie is the acting. De Niro and Pfeiffer are very good as Mr. and Mrs. Blake; their on screen chemistry is fun to watch as are their portrayals of ex-mafia parents. Unfortunately, there isn't much else that stands out about The Family. The trailer gave me the impression that this was a comedy and although there were some funny moments, there weren't a lot of truly laugh out loud ones. Additionally, a lot of the comedic scenes seem unnecessarily violent; the store clerk is rude to you, blow up their store; this person is being lazy, drag him from your car. Although there isn't a lot of gore, it does seem a bit excessive. It's possible that this is to show the errors of a life of crime, but I can't be sure. The film's story is serviceable, but slightly disjointed--including a romance that feels a little extreme--and the movie concludes with an unsatisfying end. Overall, The Family is a movie that doesn't do anything great. After seeing it, I couldn't really pick out anything that stood out other than the performances. It's not a bad movie, just not one that will stay with you after the credits roll.

Rent it.

Lee:

Unlike David, I had no issues with the violence or the family's over-the-top behavior. It seemed fitting for a silly R-rated mafia comedy. And excessive gore is avoided by cutaways from the bloodiest acts. Unfortunately, I agree that the movie is just not very funny. The characters are fine, especially the parents and Jones' frustrated agent. De Niro and Pfeiffer make a good mob couple. The children aren't bad, but not used well. The know-it-all son's storyline feels rushed and the daughter's romance is a melodramatic failure. In the end, the father's clashes with local officials also go a bit too far over the edge. The movie is best when the family members are together in some capacity or placed in somewhat grounded situations, but it often focuses on less successful individual subplots or way over-the-top moments. Pfeiffer's character fares best. The others benefit from her presence and her scenes are more inspired and a little more restrained. The Family's story places its funny characters into too many not so funny situations.

Don't see it.